An iconic potato shaped character from the war years whose sole purpose was to encourage the planting and harvesting of potatoes in an effort to make the country more self-sufficient during the second world war. But, iconic though it may be, the potato is a surprisingly recent discovery.
Born in 1737, Antoine-Augustin Parmentier, the French agriculturalist and apothecary, more or less single handedly orchestrated the acceptance of the potato in Europe, achieving far more than anyone else in its chequered history.
Joining the army in 1757, Parmentier subsequently spent several years as a prisoner of war in Germany. The mainstay of the prison diet was potatoes. In spite of the universal belief that potatoes were only fit for pigs, Parmentier realised that the nutritional value of a crop could prove invaluable as sustenance for both the poor and prison inmates.
After his return to France in 1763, Parmentier had to work hard to promote the potato in the face of opposition from scientists (who said it caused leprosy), the clerics (that it provoked lust, and anyway was a Protestant vegetable), and the gourmands (it was tasteless, indelicate, and flatulent).
Some poor wheat harvests helped his campaign, but in the end he succeeded with methods well-known today – making it appear covetable, and arranging celebrity endorsement. The first he achieved by having some trial plantings in the garden of the Palace of the Tuileries appear valuable by having them guarded heavily – by day only, thus ensuring the theft of plants at night. The second he did by managing to persuade Marie Antoinette to wear a posy of potato flowers in her bosom, and by hosting grand dinners with the likes of Benjamin Franklin in attendance, at which all courses from soup to liqueur were based on potatoes.
In addition to his agricultural work, Parmentier (perhaps in remembrance of his own childhood as an orphan) had a highly developed social conscience for the time. Louis XVI supposedly said “France will thank you some day for having found bread (ie potatoes) for the poor”.
Here is a very rich and regal potato soup, from Queen Victoria’s chef, Francatelli.
Potato Soup à la Crème.
Cleanse, peel, wash, and slice up, about twenty large-sized good potatoes. Put them into a stewpan with one large onion, and one head of celery – also sliced up; add four ounces of fresh butter, a little pepper, salt, and grated nutmeg; set them to simmer on a slow fire, stirring them occasionally until they are nearly dissolved into a kind of purée. Then add to them three pints of good white consommé, and having allowed the potatoes to boil gently by the side of a moderate fire for half an hour, pass them through the tammy, and having removed the purée into a soup-pot, add, if requisite, a little more consommé, and set the purée on the fire to boil gently by the side of the stove, in order to clarify it in the usual manner required for other purées of vegetables. Just before sending to table, add a pint of boiling cream, a pat of fresh butter, and a little pounded sugar. Serve the fried crusts with this soup. (The Modern Cook; 1860)
Or a more substantial recipe from the Victorian era by Mrs. Beeton, (1861) and is a fine example of the Victorian love of kitchen and table gadgetry:
1½ lb of rump-steak or mutton cutlets, pepper and salt to taste, ⅓ pint of weak broth or gravy, 1 oz. of butter, mashed potatoes.
Place the meat, cut in small pieces, at the bottom of the pan; season it with pepper and salt, add the gravy and butter broken into small pieces. Put on the perforated plate, with its valve-pipe screwed on, and fill up the whole space to the top of the tube with nicely-mashed potatoes mixed with a little milk, and finish the surface of them in any ornamental manner. If carefully baked, the potatoes will be covered with a delicate brown crust, retaining all the savoury steam rising from the meat. Send it to table as it comes from the oven, with a napkin folded around it.
Time : 40 to 60 minutes. Average cost, 2s. Sufficient for 4 or 5 persons. Seasonable at any time.